Girls Talk Film

19. Dance on Film: Climax, Magic Mike, Suspiria

This week, the girls are two-stepping into the sweaty and sensual world of dance, as shown in cinema.
From Gaspar Noe's hallucinatory Climax (2018) to Soderbergh's surprisingly solid Magic Mike (2012), to the slow burn of Guadagino's first foray into horror, Suspiria (2018), the girls break down how each film uses dance to interpret the nature of power, passion, or performance.
Lace up your pointe shoes, dim the lights, and don’t forget to subscribe for more movie reviews, film analysis, and pop culture commentary!
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18. Superheroes on Film: Batman, Birdman, Spider-Man: Homecoming

This week, the girls are suiting up and swinging into action.
From Tim Burton’s brooding Batman (1989), to Iñárritu’s surreal and existential Birdman (2014), to the exposition-packed charm of Spider-Man: Homecoming (2017), the girls thoroughly nerd out as they talk comics, Keaton, and how the genre has managed to take over modern cinema.
It's a bumpy ride, so grab your utility belt, slip on your mask, and don't forget to like and subscribe for more movie reviews, film analysis, and pop culture commentary!
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17. Anime on Film: Akira, Perfect Blue, Howl's Moving Castle

This week, the girls are trading popcorn for Pocky and stepping into the wild worlds of three of the most iconic anime films.
Tune in as they cruise through the neon-soaked streets of Akira (1988), unravel the psychological maze of Perfect Blue (1997), and get swept up in the spellbinding magic of Howl’s Moving Castle (2004).
It's a wild ride, so rev up your motorcycle, feed your local fire demon, and don't forget to download and subscribe for more movie reviews, film analysis, and pop culture commentary!
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16. Adolescence on Film (pt. 2): Lady Bird, Welcome to the Dollhouse, Juno

This week, the girls are returning to the hilarious and heartbreaking world of adolescence.
From the naturalism of Lady Bird to the  nastiness of Welcome to the Dollhouse, and the exploration of unconventional motherhood in Juno, the girls break down why some coming-of-age films make us wince while others fill us with nostalgia.
Dust off your yearbook, tighten your scrunchie, and don't forget to like and subscribe for more movie reviews, film analysis, and pop culture commentary!
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15. Adolescence on Film (pt. 1): Superbad, Stand By Me, The Dead Poets Society

This week, the girls are exploring the awkward and exhilarating rollercoaster of male adolescence.
From the raunchy but surprisingly sweet Superbad, to the nostalgia of Stand by Me, to the stirring call to “seize the day” in The Dead Poets Society, the girls discuss how these films capture the highs and lows of growing up.
Grab your fake ID, sharpen your no. 2 pencil, and don't forget to like and subscribe for more movie reviews, film analysis, and pop culture commentary!
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14. Kink on Film: Fifty Shades of Grey, Secretary, The Piano Teacher

This week, the girls are getting sexy (cinematically speaking, of course) and diving deep into the weird world of kink on film.
From the glossy, mass-appeal fantasy of Fifty Shades of Grey (2015) to the surprisingly heartfelt, offbeat romance in Secretary (2002), and the disturbing psychology of Michael Haneke's The Piano Teacher (2001), the girls break down three wildly different takes on what turns people on - and what their desires might cost them.
Slip on your blindfold, lube up your latex, and don't forget to like and subscribe for more movie reviews, film analysis, and pop culture commentary!
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13. Serial Killers on Film: American Psycho, Death Proof, I Saw the Devil

This week, the girls get dark - like, really dark - as they take on some of cinema’s most iconic serial killers. Tune in to hear them dissect the sharp satire of American Psycho (2000), the subversion of slasher tropes in Death Proof (2007), and the bleak brutality of I Saw the Devil (2010).
It’s a bloody good time, so lock your doors, cue up your favorite Huey Lewis record, and don’t forget to subscribe for more movie reviews, film analysis, and pop culture commentary!
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12. Antiheroines on Film: Promising Young Woman, Gone Girl, The Favourite

This week, the girls are talking rage, revenge, and ambition.
Tune in to hear them discuss why Promising Young Woman (2020) was a flop, how Gone Girl (2014) will always be iconic, and whether or not The Favourite (2018) has the best ending of all time.
Grab your tea (poison optional), settle in, and don't forget to subscribe for more movie reviews, film analysis, and pop culture commentary!
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11. Antiheroes on Film: A Clockwork Orange, Nightcrawler, Taxi Driver

This week, the girls are stepping into the minds of cinema’s most morally bankrupt protagonists.
From the sociopathic Alex in Kubrick's A Clockwork Orange (1971) to Lou Bloom's predatory ambition in Nightcrawler (2014), to the slow descent of Travis Bickle in Taxi Driver (1976), they unpack the significance of antiheroes as narrative devices and why audiences remain fascinated by them.
It’s unsettling, it’s iconic, it’s not for the faint of heart. Don’t forget to like and subscribe for more movie reviews, film analysis, and pop culture commentary!
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10. Wealth on Film: Metropolitan, The Wolf of Wall Street, Parasite

This week, the girls are exploring the glittering, the grotesque, and the deeply unethical. From the debutante bubble of Metropolitan (1990) to the dr*g-fueled chaos of The Wolf of Wall Street (2013) and razor-sharp social satire of Parasite (2019), they discuss what it really means when cinema puts the rich - and the wannabe rich - under a microscope.
Whether you're team trust fund, team hustle, or team basement, tune in and don’t forget to subscribe for more movie reviews, film analysis, and pop culture commentary!
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